Ask the Author: Eleanor Konik

Hi Friends,

In this month’s ‘Ask the Author’ interview, I had the pleasure of talking to one of my fellow authors in Scribophile – Eleanor Konik.


Eleanor Konik was born and raised in a close-knit neighborhood just outside of Baltimore, where she is putting the final touches on her teaching certification. She spends her free time gardening and playing cards with coworkers. She also enjoys fishing, hiking, and visiting attractions around the city. Her

Her blog showcases insights she’s gleaned while researching THE LAST COLLARED MAGE, a fantasy mashup of Rome’s greatest defeats.

Here are a few snippets of our conversation:

Krisna: Do you remember the first story you ever wrote?

Eleanor: Barely. I was very young when I started writing. I remember that it was a high fantasy adventure, and I spend a lot of time worried about the architecture of the little ranch that was going to be attacked during the course of the book. I still have a bunch of architecture books that I salvaged from my father’s library and refused to let my mother ever throw away.

I took it into work once, and a coworker almost purged it, because it was from 1947.

Krisna: What’s the hardest part of worldbuilding, for you?

Eleanor: Introducing flaws into my perfect system is definitely something I struggle with. Once I finish coming up with a viable economic, political or social system for my fictional world, I realize there’s no conflict in utopia. Countries with a high happiness index and few problems rarely make the news.

I often hear people complaining that the American system of government is broken. It’s certainly a flawed system — as is every system because people are human — but I believe it’s working mostly as intended. There are lots of systems that are perfect on paper — communism, for example — but broken governments all break for the same reasons. Once you add people to the mix, things get out of control.

For an invented world to feel real, it has to be a little broken, and that’s a hard thing to make up when you’re trying to make something that’s believable in the sense that it can function and make sense to a reader.

Krisna: That’s really good advice. Flaws and conflicts are the things that make the story world and characters real. How often do you write, and do you have a special time during the day to write? 

Eleanor: I try to write every day, or at least make some sort of forward progress on my novel. I do pretty well as long as I’m not super busy with social obligations. I don’t really have a special time of day, though. For awhile, I tried to set aside time in the mornings, but there was always something else more important to do — like eat, and shower. Now, I fit 25 minute focused blocks of time whenever I can, and scribble notes when I can’t.

Krisna: Do you read much? 

Eleanor: I read a lot, actually.  I used to get into trouble in school for reading too much. I’d get sucked into a book and not pay attention when the teacher transitioned from one assignment to another, because I usually finished things early. Back then I was averaging a book or two a day. It only takes me about three hours to read a full-length novel.

These days, I usually only manage to read once book a week. I’m busier, and there are fewer books I’m interested in — back in school, I had the whole of the library’s backlog to keep me entertained, and nowadays I rely on new books. So every Tuesday, I read whatever new thing was on my calendar. I’d read more if I could find more books that I really liked.

Krisna: Who are your favorite authors?

Eleanor: I have a couple of authors that I follow pretty religiously. Jim Butcher, L. E. Modesitt, Ilona Andrews, and Nalini Singh top my list — I don’t think any of them have ever written anything I didn’t like. Still, it’s a pretty long list. Kelley Armstrong has written a lot of books that I really like, and so have Seanan McGuire, Faith Hunter, Patricia Briggs and Anne Bishop. Michelle Sagara and Gail Carriger are both a lot of fun…. I could go on, but I’ll spare you.

Krisna: Where do you see publishing going in the future? 

Eleanor: Honestly, I don’t know. There are a lot of blogs out there where people way more qualified than I am have expounded at length on publishing trends and marketing trends and commercial changes and what Amazon means for authors, but I don’t always know which ones I believe. That said, I do have one observation to make: I think that the big publishers and the self-publishers are in the midst of changing their dynamic.

I think there’s this idea that big publishers are just in it for the money and that they’re very commercial, whereas writers with a very specific, innovative artistic vision tend to self-publish because the big publishers “just don’t understand them.” But what people sometimes forget is that successful self-published books have a lot in common with other very popular genres: many are very pulpy adventures or have a strong romantic element.

For decades, the success of the romance genre has basically subsidized the mid-lists of other genres. Marketing folks aside, most of the people involved in New York publishing do it because they love books, they love storytelling and they want authors to succeed. I think that as time goes on, we’ll find that a lot of self-publishing is crassly commercial, with cliffhangers and lots of unresolved sexual tension to keep us reading, whereas some of the more artistic literary works will come out of big publishing instead.

Not that big publishing never uses cliffhangers and UST, of course. Penguin Random House is responsible for the Fever series by Karen Marie Moning, which I think is a particularly egregious example of it. I know the series has a lot of fans, and I enjoyed a lot of elements of the first couple of books, but the lack of resolution started to grate on me and I felt like my emotions were being jerked around by cliffhangers so that I’d buy the next book. I don’t like feeling manipulated, so I stopped buying the books.

Krisna: Yes, I remember being very frustrated after reading Karen Moning’s Fever series too. I hate cliffhangers especially if I have to wait a year to read what happens next!

Thanks a lot Eleanor for your wonderful tips and for taking the time to answer my questions.



YA-NA Parley: Melion Traverse

Dear Friends,

Today, I have the pleasure of introducing a very special author that I’ve come to admire in the last few months.

Melion Traverse writes things 🙂 When not writing ‘things’, Melion still lives with one spouse, two dogs and an acceptable amount of chaos. She is occasionally found playing with swords, studying martial arts, and lifting weights. Other times, she hides with a book and an energy drink as she avoids the tumbleweeds of dog hair overwhelming her house.

Melion’s short stories have appeared, or are forthcoming in, Deep Magic, Fantasy Scroll Magazine, Cosmic Roots and Eldritch Shores, Cast of Wonders, Scarlet Leaf Review, Havok, and T. Gene Davis’s Speculative Blog.

Check out her haphazard blog:

Here are a few snippets of our conversation:

Krisna: What do your fans mean to you?

Melion: Wait . . . I have fans? In all seriousness, if I’m fortunate enough to earn the respect of fans, I’d find it humbling. To have people spend their resources on my work, be it in the form of time or money, would help validate my reasons for taking the writing off my computer and setting it loose in the world. I want to give people an opportunity to experience a new world, or to see their world in a new way. If I succeed at that, I’ll be happy.

Krisna: I totally agree! It’s one of the main reasons I write stories too. Speaking of stories, could you give us an insight into your main character. What does he/she do that is so special?

Melion: I suppose the ready answer is that my character, Alessa, goes through a portal into another world, becomes a unicorn rider and finds herself fighting to save a barony. However, when I wrote Alessa, what I intended to make her special is something more personal and quiet than grand quests and rifts in the space-time continuum.

Alessa confronts her insecurities and her self-doubts. That doesn’t sound particularly special when I lay it out, but to me, that’s the point. She has to struggle against herself. In real life, many people—myself very much included—fail in that struggle. We look back on our lives and realize how often we let the insecurities and the demons rise up and control our destiny, sometimes without any resistance from ourselves.

Krisna: That’s really deep. I’m sure most readers would really connect to a character that struggles with an internal conflict that we all face in our lives. What would you say are the main advantages and disadvantages of self-publishing against being published or the other way around?

Melion: Speaking as somebody new to the publishing world, I can really only answer based on what I’ve observed and read during the researching phase, as opposed to what I’ve experienced first hand.

I’m opting to self-publish because I like the challenge of taking a book from idea all the way to publication with my involvement at each step. Will that hurt the book in the long run? I’ll be honest and say that it might. After all, I have no marketing experience and I have no “in” with the industry. It also means that I’m relying on my own judgment to make edits and changes to the book, and I can tell you horror stories about where my own judgment has gotten me on occasion.

However, the positive of self-publishing means my book will be published and will have its chance to reach an audience. If I went with the traditional publishing route, I’m well aware that my book could never see the world outside my hard drive. After all, agents and publishers are looking for a book they can maximize profits on. Whether that is a good book or a weak book, the name of the game is profit margins. I have the leisure to take a chance on a book; agents and publishers do not have that option.

Krisna: A very practical answer. As a supporter of self-publication, I agree that it might be a lot of work and risky for those of us who’re new to the game, but it does give us a lot of freedom and satisfaction to be involved in every aspect of the publication. With self-publishing or trad publishing, PR agencies are a good way of marketing. Would you or do you use a PR agency?

Melion: At the moment, I do not. However, depending on the price and the services being offered, I cannot say that I would rule out the option.

Krisna: Now for one last question. Hm, let’s see …. something not about writing… 

What do you want your tombstone to say?

Melion: In fancy, stylized script, I would like it to read, “Semper ubi sub ubi.” Alternatively, I will accept: “In event of zombie apocalypse, do not stand here.” Really, however, I think by the time I need a headstone, the wording will be the least of my concerns.

Krisna: LOL! 🙂 Thanks for the warning, Melion, and for all your tips and ideas on the writing process. 

I wish you all the very best in your writing career!